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The international conference organized by the College of France on April
6-7, 2009, addressed a major theme within Near Eastern ideology: the
Young Hero . Different from those elders who were given power by
traditionalistic Near Eastern civilizations and whose anthroponomy
proudly underlined their eldership, the young hero nonetheless succeeds
most of the time, or at least for a time, through his personal gifts as
much as the inconstancy of gods who do not always favour the same man.
Illustrations are multiform. We chose to show that the theme’s typology
matched precise criteria within time periods. Over a millennium and a
half, each of the different ways of apprehending this figure corresponds
to a specific attestation type. It was not possible, even at a regional
level, to establish a complete young hero typology. Various forms
pertaining to romanced myth, most often through epic form, but also to
historical discourse, have been studied by our contributors.
After a general introduction (Liverani), the first part deals with
historical and literary accounts of the young hero’s (un)successful rise
to kingship: Samsi-Erah, Idrimi, David, Saul and Esarhaddon (Guichard,
Durand, McKenzie, Edelman, Marti). Follows a section on non-royal young
heroes yet depicted by means of royal categories: Samson, Moses and
Daniel (Lemardele, Roemer, Langlois). Two contributions on Athaliah and
Esther (Lemaire, Macchi) deal with the theme of feminine heroism, and a
last section focuses on heroic friendships: Gilgames and Enkidu, David
and Jonathan, Achilles and Patroclus (Ziegler, Nihan, Jaillard).
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The international conference organized by the College of France on April
6-7, 2009, addressed a major theme within Near Eastern ideology: the
Young Hero . Different from those elders who were given power by
traditionalistic Near Eastern civilizations and whose anthroponomy
proudly underlined their eldership, the young hero nonetheless succeeds
most of the time, or at least for a time, through his personal gifts as
much as the inconstancy of gods who do not always favour the same man.
Illustrations are multiform. We chose to show that the theme’s typology
matched precise criteria within time periods. Over a millennium and a
half, each of the different ways of apprehending this figure corresponds
to a specific attestation type. It was not possible, even at a regional
level, to establish a complete young hero typology. Various forms
pertaining to romanced myth, most often through epic form, but also to
historical discourse, have been studied by our contributors.
After a general introduction (Liverani), the first part deals with
historical and literary accounts of the young hero’s (un)successful rise
to kingship: Samsi-Erah, Idrimi, David, Saul and Esarhaddon (Guichard,
Durand, McKenzie, Edelman, Marti). Follows a section on non-royal young
heroes yet depicted by means of royal categories: Samson, Moses and
Daniel (Lemardele, Roemer, Langlois). Two contributions on Athaliah and
Esther (Lemaire, Macchi) deal with the theme of feminine heroism, and a
last section focuses on heroic friendships: Gilgames and Enkidu, David
and Jonathan, Achilles and Patroclus (Ziegler, Nihan, Jaillard).