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This study explores the iconographical and functional filiation between
the Near-Eastern kerub and the Cypriot and Greek sphinxes. In biblical
texts as well as in Near Eastern iconography, the sphinx guarded the
Tree of Life, a metaphor for the Afterlife. The tutelary deity - most
often a goddess, except in the kingdom of Judah - guaranteed survival in
the afterlife, especially to the (God-)King. This was also the case in
Cyprus, where contextual analysis shows that the Great Goddess played a
similar role with regards to local dynasties. In both cases, the sphinx
assisted the deity, and ensured passage toward the Tree of Life - or, in
certain cases, denied access to it. Beginning with the well-known scene
on the Vatican cup, analysis of the different forms taken by the
creature in Greece (where it acquired the name sphinx ) shows that it
had the same function. This was so both in vase painting, where it
appeared most often in the heraldic position, and in statuary, as the
upper part of funerary steles or seated on top of columns. In the latter
cases, the volutes or palmettes placed immeditately below were a
synecdoche (pars pro toto) for the Tree of Life. The same conclusion can
be drawn from the Oedipean scenes (one or several men facing the
sphinx). Often found in funerary contexts, these representations
actually had an eschatological meaning. Evidence shows that these
beliefs were transmitted from the Near East (including Egypt) to the
Aegean, where they were particularly introduced in Orphic and
Dionysian contexts.
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This study explores the iconographical and functional filiation between
the Near-Eastern kerub and the Cypriot and Greek sphinxes. In biblical
texts as well as in Near Eastern iconography, the sphinx guarded the
Tree of Life, a metaphor for the Afterlife. The tutelary deity - most
often a goddess, except in the kingdom of Judah - guaranteed survival in
the afterlife, especially to the (God-)King. This was also the case in
Cyprus, where contextual analysis shows that the Great Goddess played a
similar role with regards to local dynasties. In both cases, the sphinx
assisted the deity, and ensured passage toward the Tree of Life - or, in
certain cases, denied access to it. Beginning with the well-known scene
on the Vatican cup, analysis of the different forms taken by the
creature in Greece (where it acquired the name sphinx ) shows that it
had the same function. This was so both in vase painting, where it
appeared most often in the heraldic position, and in statuary, as the
upper part of funerary steles or seated on top of columns. In the latter
cases, the volutes or palmettes placed immeditately below were a
synecdoche (pars pro toto) for the Tree of Life. The same conclusion can
be drawn from the Oedipean scenes (one or several men facing the
sphinx). Often found in funerary contexts, these representations
actually had an eschatological meaning. Evidence shows that these
beliefs were transmitted from the Near East (including Egypt) to the
Aegean, where they were particularly introduced in Orphic and
Dionysian contexts.