Become a Readings Member to make your shopping experience even easier. Sign in or sign up for free!

Become a Readings Member. Sign in or sign up for free!

Hello Readings Member! Go to the member centre to view your orders, change your details, or view your lists, or sign out.

Hello Readings Member! Go to the member centre or sign out.

Active Agents or Passive Instruments? Female Characters in William Shakespeare's Othello
Paperback

Active Agents or Passive Instruments? Female Characters in William Shakespeare’s Othello

$105.99
Sign in or become a Readings Member to add this title to your wishlist.

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut fur Anglistik/ Amerikanistik), course: Shakespeares Tragedies, language: English, abstract: And have not we affections? / Desires for sport? and frailty, as men have? / Then let them use us well: else let them know, / The ills we do, their ills instruct us so. (Shakespeare 4.3.100-103) This emancipated statement by Emilia in William Shakespeares tragedy Othello already could lead to assume that there is far more to the female characters in the play than just the role of the loving wife or the accessory part for the male ones. However, it is mostly Iago and his schemes or Othello and his tragic fate that are in the centre of the readers attention rather than the characters of Desdemona, Emilia and Bianca. Iago being unique for the Shakespearean villain and Othello as the personification for the tragedy of jealousy are, to a certain extent, pushing back the female figures to a background position in the peoples general perception of Othello. After all, the women in the play are worth a second glance, since only a closer reading can really reveal the whole importance and the subtle power of women in the play, albeit in the background of it. The aim of this paper is to show the function of the female figures in Othello and, in this context, to prove their importance for the tragedys development. Therefore, I will first analyze the characters of Desdemona, Emilia and Bianca as a basis for a closer look at their function in the plot of Othello afterwards. In this context, it is important to say that I will not focus on every facet of the characters but only on the aspects that are significant ones for each and for the further examination. Concerning Desdemonas, Emilias and Biancas function in the play, I will investigate in which ways they contribute to the development of the plot. Are they active or passiv

Read More
In Shop
Out of stock
Shipping & Delivery

$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout

MORE INFO
Format
Paperback
Publisher
Grin Publishing
Date
14 August 2013
Pages
22
ISBN
9783656480563

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Potsdam (Institut fur Anglistik/ Amerikanistik), course: Shakespeares Tragedies, language: English, abstract: And have not we affections? / Desires for sport? and frailty, as men have? / Then let them use us well: else let them know, / The ills we do, their ills instruct us so. (Shakespeare 4.3.100-103) This emancipated statement by Emilia in William Shakespeares tragedy Othello already could lead to assume that there is far more to the female characters in the play than just the role of the loving wife or the accessory part for the male ones. However, it is mostly Iago and his schemes or Othello and his tragic fate that are in the centre of the readers attention rather than the characters of Desdemona, Emilia and Bianca. Iago being unique for the Shakespearean villain and Othello as the personification for the tragedy of jealousy are, to a certain extent, pushing back the female figures to a background position in the peoples general perception of Othello. After all, the women in the play are worth a second glance, since only a closer reading can really reveal the whole importance and the subtle power of women in the play, albeit in the background of it. The aim of this paper is to show the function of the female figures in Othello and, in this context, to prove their importance for the tragedys development. Therefore, I will first analyze the characters of Desdemona, Emilia and Bianca as a basis for a closer look at their function in the plot of Othello afterwards. In this context, it is important to say that I will not focus on every facet of the characters but only on the aspects that are significant ones for each and for the further examination. Concerning Desdemonas, Emilias and Biancas function in the play, I will investigate in which ways they contribute to the development of the plot. Are they active or passiv

Read More
Format
Paperback
Publisher
Grin Publishing
Date
14 August 2013
Pages
22
ISBN
9783656480563