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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Forgotten Russian Piano Music’ is a historical and analytical study that focuses on the piano sonatas of Anatoly Aleksandrov (1888-1982), the longest-living Russian and Soviet composer-pianist of the twentieth century. The fourteen piano sonatas, written between 1922 and 1971, reflect not only the composer’s evolution of style, but also reveal the vast array of influences which characterize the music of the twentieth century. Strong melodic lyricism that threads these epic compositions, rich writing for piano, combined with modern chromaticism and hints of Russian folklore all contribute to the composer’s original style, which synthesizes Aleksandrov’s four main figures of influence, namely Rachmaninov, Scriabin, Medtner, and Feinberg. Additionally, the study explores the measure of Aleksandrov’s professional success as he was working contemporaneously with such highly established composers as Prokofiev and Shostakovich.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
‘Forgotten Russian Piano Music’ is a historical and analytical study that focuses on the piano sonatas of Anatoly Aleksandrov (1888-1982), the longest-living Russian and Soviet composer-pianist of the twentieth century. The fourteen piano sonatas, written between 1922 and 1971, reflect not only the composer’s evolution of style, but also reveal the vast array of influences which characterize the music of the twentieth century. Strong melodic lyricism that threads these epic compositions, rich writing for piano, combined with modern chromaticism and hints of Russian folklore all contribute to the composer’s original style, which synthesizes Aleksandrov’s four main figures of influence, namely Rachmaninov, Scriabin, Medtner, and Feinberg. Additionally, the study explores the measure of Aleksandrov’s professional success as he was working contemporaneously with such highly established composers as Prokofiev and Shostakovich.