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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Marshall McLuhan argues that the content of any medium is always another medium . In this work film music is regarded as a medium that is part of the medium film. The music used in Quentin Tarantino’s Kill Bill is recycled and put into a new context, thus creating new meaning. The pre-existent soundtracks and pop songs already carry with them an outer cinematic context that then influences the reuse of them. Remediation, as David Jay Bolter has coined the term, also takes place on the relationship level of music and film.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Marshall McLuhan argues that the content of any medium is always another medium . In this work film music is regarded as a medium that is part of the medium film. The music used in Quentin Tarantino’s Kill Bill is recycled and put into a new context, thus creating new meaning. The pre-existent soundtracks and pop songs already carry with them an outer cinematic context that then influences the reuse of them. Remediation, as David Jay Bolter has coined the term, also takes place on the relationship level of music and film.