Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Snapshots, broken toys, high school diaries, a locket with secret compartments for tiny photographs, well-read love letters, a piece of sea glass, shoeboxes filled with bits of ephemera from daily life. These were some of the objects that were part of a 2001 exhibition entitled recollections at Macy Gallery, Teachers College Columbia University in New York City. It was through this exhibition that I explored how objects provoke narratives in families. As a consequence of the exhibition, there seemed to be a need for further understanding of how individuals assign meanings to their treasured objects, particularly family snapshots. This appeared to be a worthy investigation as art educators debate the rationale of using images from visual culture as sites of inquiry in curriculum design. This book presents the findings of a narrative inquiry that relied on art-practice-as-research methodologies. Art and museum educators will find this book compelling as they come to understand how family photographs may be used to nurture learners who recognize how their personal narratives give structure to their lives and through which connections to broader cultural contexts are made evident.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Snapshots, broken toys, high school diaries, a locket with secret compartments for tiny photographs, well-read love letters, a piece of sea glass, shoeboxes filled with bits of ephemera from daily life. These were some of the objects that were part of a 2001 exhibition entitled recollections at Macy Gallery, Teachers College Columbia University in New York City. It was through this exhibition that I explored how objects provoke narratives in families. As a consequence of the exhibition, there seemed to be a need for further understanding of how individuals assign meanings to their treasured objects, particularly family snapshots. This appeared to be a worthy investigation as art educators debate the rationale of using images from visual culture as sites of inquiry in curriculum design. This book presents the findings of a narrative inquiry that relied on art-practice-as-research methodologies. Art and museum educators will find this book compelling as they come to understand how family photographs may be used to nurture learners who recognize how their personal narratives give structure to their lives and through which connections to broader cultural contexts are made evident.