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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book focuses on the principles and applications of the Alexander Technique and how they can be used to influence and affect the teaching of voice. Maria Weiss, a certified Alexander teacher and singer herself, gives background knowledge about the Alexander Technique, compares the Alexander Technique with various body-mind techniques and uses sources from well-known vocal teachers such as Pietro Francesco Tosi, Manuel Garcia, Kristin Linklater, and Olga Averino, to name just a few, to show that the principles of F. M. Alexander’s teachings can be discovered in vocal writings. The author also discusses topics related to singing such as ‘posture’, breathing, practicing and performing from the view of F. M. Alexander, various Alexander teachers, body-mind techniques, vocal teachers and singers.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book focuses on the principles and applications of the Alexander Technique and how they can be used to influence and affect the teaching of voice. Maria Weiss, a certified Alexander teacher and singer herself, gives background knowledge about the Alexander Technique, compares the Alexander Technique with various body-mind techniques and uses sources from well-known vocal teachers such as Pietro Francesco Tosi, Manuel Garcia, Kristin Linklater, and Olga Averino, to name just a few, to show that the principles of F. M. Alexander’s teachings can be discovered in vocal writings. The author also discusses topics related to singing such as ‘posture’, breathing, practicing and performing from the view of F. M. Alexander, various Alexander teachers, body-mind techniques, vocal teachers and singers.