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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Kantor: Non/Presence is a unique work in theatre studies by a single author. The book far exceeds the framework set by its eponymous protagonist. Fazan reveals where following Tadeusz Kantor can lead and how radically the discourse of theater studies should be transformed in contact with his vast, heterogeneous oeuvre. Zbigniew Majchrowski, University of Gdansk The monumental monograph testifies not only to Fazan exceptional erudition but also her deep personal commitment to the study of Kantor's oeuvre. Reaching far beyond theater studies, Fazan's reference-rich analysis can be appreciated by those involved in art history, photography, stage design, architecture, and memory studies. Marcelina Obarska, Culture.pl
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Kantor: Non/Presence is a unique work in theatre studies by a single author. The book far exceeds the framework set by its eponymous protagonist. Fazan reveals where following Tadeusz Kantor can lead and how radically the discourse of theater studies should be transformed in contact with his vast, heterogeneous oeuvre. Zbigniew Majchrowski, University of Gdansk The monumental monograph testifies not only to Fazan exceptional erudition but also her deep personal commitment to the study of Kantor's oeuvre. Reaching far beyond theater studies, Fazan's reference-rich analysis can be appreciated by those involved in art history, photography, stage design, architecture, and memory studies. Marcelina Obarska, Culture.pl