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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This monograph offers an analysis of the lexical domain of beauty and other additional lexical domains that are figuratively used to refer to beauty, highlighting their central role in the Anglo-Saxon formulaic style. Using different methods from computational and cognitive linguistics, this study is aimed at determining the exact semantic value of these terms, detecting possible patterns of metaphorization and metonymization and identifying strategies behind their usage, ultimately determining how beauty was conceptualised and experienced in early Medieval England and in its literature. This research evidences the importance of this aesthetic idea in the Old English poetry and its aesthetic paradigm and revealing the core associations between beauty and other religious and social ideas.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This monograph offers an analysis of the lexical domain of beauty and other additional lexical domains that are figuratively used to refer to beauty, highlighting their central role in the Anglo-Saxon formulaic style. Using different methods from computational and cognitive linguistics, this study is aimed at determining the exact semantic value of these terms, detecting possible patterns of metaphorization and metonymization and identifying strategies behind their usage, ultimately determining how beauty was conceptualised and experienced in early Medieval England and in its literature. This research evidences the importance of this aesthetic idea in the Old English poetry and its aesthetic paradigm and revealing the core associations between beauty and other religious and social ideas.