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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jerzy Grotowski and the Laboratory Theatre presented his famous performance The Constant Prince to Iranian audiences in 1970 during the Shiraz Art Festival and in Teheran. Jerzy Grotowski travelled to Iran four times and his fifth journey, which was supposed to include Apocalypsis Cum Figuris as well as Desert Project had been thoroughly planned but never happened.
Although Grotowski had not talked too much about his travels to Iran, his influence on Iranian artists during three generations is quite obvious.
The author gathered many documents and conducted interviews for this in-depth study pursuing the fundamental questions of his research: How was Grotowski’s work received in Iran and in what way did he influence theatre artists in Iran?
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Jerzy Grotowski and the Laboratory Theatre presented his famous performance The Constant Prince to Iranian audiences in 1970 during the Shiraz Art Festival and in Teheran. Jerzy Grotowski travelled to Iran four times and his fifth journey, which was supposed to include Apocalypsis Cum Figuris as well as Desert Project had been thoroughly planned but never happened.
Although Grotowski had not talked too much about his travels to Iran, his influence on Iranian artists during three generations is quite obvious.
The author gathered many documents and conducted interviews for this in-depth study pursuing the fundamental questions of his research: How was Grotowski’s work received in Iran and in what way did he influence theatre artists in Iran?