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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Aesthetic Revolution in Germany refutes the stereotypical image of Germany as the country of romantic but unworldly poets and thinkers. In 1750, an aesthetic revolution takes place in Germany, at the beginning of which stands J.J. Winckelmann. The romantic movement (Schiller, Hoelderlin, Kleist) paves the way for this aesthetic revolution, which Heine is one of the first to criticise. Since then, criticism has never fallen silent. Opposing the rationalisation of the world (Wagner), the aesthetic revolution climaxes in the philosophy of Nietzsche. During the 1920s and 30s, it becomes a conservative revolution (George, Spengler, Th. Mann, Benn) and fails inevitably. Beckmann and M. Walser show that particularly after 1945 the aesthetic perspective is still necessary.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Aesthetic Revolution in Germany refutes the stereotypical image of Germany as the country of romantic but unworldly poets and thinkers. In 1750, an aesthetic revolution takes place in Germany, at the beginning of which stands J.J. Winckelmann. The romantic movement (Schiller, Hoelderlin, Kleist) paves the way for this aesthetic revolution, which Heine is one of the first to criticise. Since then, criticism has never fallen silent. Opposing the rationalisation of the world (Wagner), the aesthetic revolution climaxes in the philosophy of Nietzsche. During the 1920s and 30s, it becomes a conservative revolution (George, Spengler, Th. Mann, Benn) and fails inevitably. Beckmann and M. Walser show that particularly after 1945 the aesthetic perspective is still necessary.