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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Following the evolution of Ciaran Carson’s work, this book aims to trace the tension between orality and textuality, which can be discerned in the poetry of the Northern-Irish writer. Assuming these forces to be the two major sources of all literature, the author delineates, using deconstruction, how they inform and structure Carson’s poetic oeuvre. Further thematic analyses focus on three major themes: memory, city and history, adopting various critical approaches, among them New Historicism and psychoanalysis. Finally, taking cue from Carson’s later work, an epistemological and metaphysical dimension of his poetry is revealed. This serves as the final vantage point from which the author offers a potential glimpse beyond the said dialectic, unveiling Carson’s broadly ethical project.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Following the evolution of Ciaran Carson’s work, this book aims to trace the tension between orality and textuality, which can be discerned in the poetry of the Northern-Irish writer. Assuming these forces to be the two major sources of all literature, the author delineates, using deconstruction, how they inform and structure Carson’s poetic oeuvre. Further thematic analyses focus on three major themes: memory, city and history, adopting various critical approaches, among them New Historicism and psychoanalysis. Finally, taking cue from Carson’s later work, an epistemological and metaphysical dimension of his poetry is revealed. This serves as the final vantage point from which the author offers a potential glimpse beyond the said dialectic, unveiling Carson’s broadly ethical project.