Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This study examines the theory and practice of criticism as art in Kassner’s and Hofmannsthal’s essays on Pre-Raphaelitism. Chapter one considers Hofmannsthal’s admiration for Kassner’s Die Mystik, die Kuenstler und das Leben (1900), focusing on the writers’ shared interest in English art. Hofmannsthal’s essays on Pre-Raphaelitism are interpreted with reference to the aesthetic of the Blaetter fuer die Kunst and the images of aestheticism in his work of the 1890s. Chapter two introduces Kassner’s early life and work, outlining the development of his conception of criticism, and relating his earliest interests to those of Jung-Wien. Chapter three analyses the treatment of criticism and Pre-Raphaelitism in Die Mystik, showing the similarities and differences between both writers’ reception of English art, and explaining Hofmannsthal’s response to the volume. A postscript suggests directions for further research.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This study examines the theory and practice of criticism as art in Kassner’s and Hofmannsthal’s essays on Pre-Raphaelitism. Chapter one considers Hofmannsthal’s admiration for Kassner’s Die Mystik, die Kuenstler und das Leben (1900), focusing on the writers’ shared interest in English art. Hofmannsthal’s essays on Pre-Raphaelitism are interpreted with reference to the aesthetic of the Blaetter fuer die Kunst and the images of aestheticism in his work of the 1890s. Chapter two introduces Kassner’s early life and work, outlining the development of his conception of criticism, and relating his earliest interests to those of Jung-Wien. Chapter three analyses the treatment of criticism and Pre-Raphaelitism in Die Mystik, showing the similarities and differences between both writers’ reception of English art, and explaining Hofmannsthal’s response to the volume. A postscript suggests directions for further research.