Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Tal Ilan explores the way historical documents from antiquity are reworked and edited in a long process that ends in silencing the women originally mentioned in them. Many methods are used to produce this end result: elimination of women or their words, denigration of the women and their role or unification of several significant women into one. These methods and others are illuminated in this book, as it uses the example of the Jewish queen Shelamzion Alexandra (76-67 BCE) for its starting point. Queen Shelamzion was the only legitimate Jewish queen in history. Yet all the documents in which she is mentioned (Josephus, Qumran scrolls, rabbinic literature etc.) have been reworked so as to minimize her significance and distort the picture we may receive of her. Tal Ilan follows the ways this was done and in doing so she encounters similar patterns in which other Jewish women in antiquity were silenced, censored and edited out.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Tal Ilan explores the way historical documents from antiquity are reworked and edited in a long process that ends in silencing the women originally mentioned in them. Many methods are used to produce this end result: elimination of women or their words, denigration of the women and their role or unification of several significant women into one. These methods and others are illuminated in this book, as it uses the example of the Jewish queen Shelamzion Alexandra (76-67 BCE) for its starting point. Queen Shelamzion was the only legitimate Jewish queen in history. Yet all the documents in which she is mentioned (Josephus, Qumran scrolls, rabbinic literature etc.) have been reworked so as to minimize her significance and distort the picture we may receive of her. Tal Ilan follows the ways this was done and in doing so she encounters similar patterns in which other Jewish women in antiquity were silenced, censored and edited out.