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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
More recently, C.P.Snow’s notion of a possible third nation in which the literary and the scientific culture interact has been explored in new ways by theorists on both sides of the divide, seeking a terminology and set of procedures to investigate the common cultural field . The topics explored, using a range of European examples drawn from the period of the 17th to the 20th century, include the creative process or serendipity in science and art; modes of perception and experimental enquiry; the use of figures, images and narrative forms in science; the representation of science literary works; and bridging exercises such as Naturphilosophie, occult or soft sciences, organic aesthetics, and anthropic arguments.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
More recently, C.P.Snow’s notion of a possible third nation in which the literary and the scientific culture interact has been explored in new ways by theorists on both sides of the divide, seeking a terminology and set of procedures to investigate the common cultural field . The topics explored, using a range of European examples drawn from the period of the 17th to the 20th century, include the creative process or serendipity in science and art; modes of perception and experimental enquiry; the use of figures, images and narrative forms in science; the representation of science literary works; and bridging exercises such as Naturphilosophie, occult or soft sciences, organic aesthetics, and anthropic arguments.