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Aus dem Inhalt/Contenu : Joseph Willimann: Vorwort - Preface - Philippe Albera/Georges Starobinski : Bela Bartok - La decennie 1915-1925 - Janos Karpati : Sources ethniques et pensee dodecaphonique dans le Quatuor no 2 de Bela Bartok - Judit Frigyesi: Surface musical process versus background structure: two instances of last-minute corrections in Bartok’s works - Elliott Antokoletz: From Folksong Arrangement to Composing with Folk Tunes in Bartok’s Eight Improvisations on Hungarian Peasant Songs, Op. 20, and his move toward greater abstraction in the Three Etudes, Op. 18 - Laszlo Somfai: The two Sonatas for Violin and Piano (1921-1922): Avantgarde Music a la Bartok - Peter Laki : Les melodies op. 15 et 16 de Bartok - Georges Starobinski : Le metronome passionne. Tempo et agogique dans les Cinq melodies op. 16 de Bela Bartok - Malcolm Gillies: A Creative Cul-de-Sac? Bartok’s Wooden Prince and Miraculous Mandarin - Rudolf Bossard: …prendendo quasi ogni sera il divertimento delle opere in Musica … Streiflichter auf die Opernstagione des Winters 1682/83 in Venedig - Thomas Jarmann: Vom Ubungsstuck zur kunstvollen Eroffnung: Die formale Idee hinter J. S. Bachs Praludium in C-Dur BWV 846 aus dem Wohltemperirten Clavier I - Wolfgang G. Vogele: …ein tiefes Bedurfnis, das mich zu Ihnen treibt. Zum Verhaltnis Felix Weingartner - Rudolf Steiner.
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Aus dem Inhalt/Contenu : Joseph Willimann: Vorwort - Preface - Philippe Albera/Georges Starobinski : Bela Bartok - La decennie 1915-1925 - Janos Karpati : Sources ethniques et pensee dodecaphonique dans le Quatuor no 2 de Bela Bartok - Judit Frigyesi: Surface musical process versus background structure: two instances of last-minute corrections in Bartok’s works - Elliott Antokoletz: From Folksong Arrangement to Composing with Folk Tunes in Bartok’s Eight Improvisations on Hungarian Peasant Songs, Op. 20, and his move toward greater abstraction in the Three Etudes, Op. 18 - Laszlo Somfai: The two Sonatas for Violin and Piano (1921-1922): Avantgarde Music a la Bartok - Peter Laki : Les melodies op. 15 et 16 de Bartok - Georges Starobinski : Le metronome passionne. Tempo et agogique dans les Cinq melodies op. 16 de Bela Bartok - Malcolm Gillies: A Creative Cul-de-Sac? Bartok’s Wooden Prince and Miraculous Mandarin - Rudolf Bossard: …prendendo quasi ogni sera il divertimento delle opere in Musica … Streiflichter auf die Opernstagione des Winters 1682/83 in Venedig - Thomas Jarmann: Vom Ubungsstuck zur kunstvollen Eroffnung: Die formale Idee hinter J. S. Bachs Praludium in C-Dur BWV 846 aus dem Wohltemperirten Clavier I - Wolfgang G. Vogele: …ein tiefes Bedurfnis, das mich zu Ihnen treibt. Zum Verhaltnis Felix Weingartner - Rudolf Steiner.