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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This volume investigates a broad range of structural connections between PThis volume investigates a broad range of structural connections between Pio Baroja’s early fiction and the novels of his contemporaries in England and Ireland, with prominence given to Joseph Conrad, Thomas Hardy, E. M. Forster and James Joyce. Starting from the premise that Spain has been neglected in studies which assess the evolution of the European novel at the turn of the twentieth century, and challenging the insular concept of the ‘Generation of 1898’, the author reassesses the relationship between Baroja and English literature.
Particular emphasis is given to renderings of consciousness, the role and identity of the artist, European landscapes, and questions of form, genre and representation in the novels under scrutiny. The book produces new readings of Baroja in the context of early twentieth-century English fiction.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This volume investigates a broad range of structural connections between PThis volume investigates a broad range of structural connections between Pio Baroja’s early fiction and the novels of his contemporaries in England and Ireland, with prominence given to Joseph Conrad, Thomas Hardy, E. M. Forster and James Joyce. Starting from the premise that Spain has been neglected in studies which assess the evolution of the European novel at the turn of the twentieth century, and challenging the insular concept of the ‘Generation of 1898’, the author reassesses the relationship between Baroja and English literature.
Particular emphasis is given to renderings of consciousness, the role and identity of the artist, European landscapes, and questions of form, genre and representation in the novels under scrutiny. The book produces new readings of Baroja in the context of early twentieth-century English fiction.