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This monograph surveys the work of Scottish painter Christopher Orr (born 1967), comprised mostly of paintings and collages. Orr’s imagery derives from an extensive archive of vintage magazines, science textbooks, 16mm and Super 8 film stills, and his intimately scaled canvases oscillate between reality and the uncanny.
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This monograph surveys the work of Scottish painter Christopher Orr (born 1967), comprised mostly of paintings and collages. Orr’s imagery derives from an extensive archive of vintage magazines, science textbooks, 16mm and Super 8 film stills, and his intimately scaled canvases oscillate between reality and the uncanny.