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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
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(Dr Rory Loughnane, Reader in Early Modern Studies, University of Kent)
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(Dr Timothy Ryan Day, Associate Professor of English, Saint Louis University - Madrid Campus)
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In re-evaluating the contemporary staging of madness in the early modern period this book provides a clearer understanding and interpretation of characters who suffer from mental and emotional extremities in Shakespearean drama. It addresses three factors that contribute to early modern concepts of madness. These are theories of the <> current and emergent in the late-sixteenth and early-seventeenth centuries; contemporary medical writings on madness; and the legacy of portrayals of madness from classical Greek and Roman drama, with a particular focus on the Roman tragedian, Seneca. The more complete understanding that this combined approach provides, facilitates a better-informed reading of Shakespeare's plays, plays that so often deal with mental and emotional extremities that were once thought of as <>.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
<>
(Dr Rory Loughnane, Reader in Early Modern Studies, University of Kent)
?
<>
(Dr Timothy Ryan Day, Associate Professor of English, Saint Louis University - Madrid Campus)
?
In re-evaluating the contemporary staging of madness in the early modern period this book provides a clearer understanding and interpretation of characters who suffer from mental and emotional extremities in Shakespearean drama. It addresses three factors that contribute to early modern concepts of madness. These are theories of the <> current and emergent in the late-sixteenth and early-seventeenth centuries; contemporary medical writings on madness; and the legacy of portrayals of madness from classical Greek and Roman drama, with a particular focus on the Roman tragedian, Seneca. The more complete understanding that this combined approach provides, facilitates a better-informed reading of Shakespeare's plays, plays that so often deal with mental and emotional extremities that were once thought of as <>.