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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the early modern period, there have been a vigorous debate in the public arena on the nature of women and their place in society. For instance, most women had been excluded from inheritance.
The author of this work is shedding light on how the notion of inheritance intrudes into the literature produced by women of the period.
She analyses the tropes of inheritance and appropriation as they are evidenced in the works of women from the upper strata of society - women such as Mary (Sidney) Herbert, the Countess of Pembroke, and Lady Mary Wroth, both scions of the renowned Sidney family - and also those produced by those from lower down in the social spectrum, such as Aemilia Lanyer and Isabella Whitney.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In the early modern period, there have been a vigorous debate in the public arena on the nature of women and their place in society. For instance, most women had been excluded from inheritance.
The author of this work is shedding light on how the notion of inheritance intrudes into the literature produced by women of the period.
She analyses the tropes of inheritance and appropriation as they are evidenced in the works of women from the upper strata of society - women such as Mary (Sidney) Herbert, the Countess of Pembroke, and Lady Mary Wroth, both scions of the renowned Sidney family - and also those produced by those from lower down in the social spectrum, such as Aemilia Lanyer and Isabella Whitney.