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Since the 1970s, Jean-Marc Bustamante’s work has ranged from photographs of cypress trees to geometric sculptures in metal, cement, wood, bricks and glass. The essays collected here explore the powerful tensions inherent in his work: between abstract and representational forms, between natural and manmade objects, between the visual and the corporeal.
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Since the 1970s, Jean-Marc Bustamante’s work has ranged from photographs of cypress trees to geometric sculptures in metal, cement, wood, bricks and glass. The essays collected here explore the powerful tensions inherent in his work: between abstract and representational forms, between natural and manmade objects, between the visual and the corporeal.