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Since its origins, the tragic genre has been marked by an ambiguous structure of which Sophocle’s OEdipe Roi is without doubt the best example. This book studies some aspects of this structure in the work of William Shakespeare, Pierre Corneille, Jean Racine and Heinrich von Kleist.
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Since its origins, the tragic genre has been marked by an ambiguous structure of which Sophocle’s OEdipe Roi is without doubt the best example. This book studies some aspects of this structure in the work of William Shakespeare, Pierre Corneille, Jean Racine and Heinrich von Kleist.