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This work analyses the reception of the troubadours in contemporary Occitan literature. It notes a fascination for a golden age in which this literature - as well as the language which constituted it - was a model for Europe, a desire to imitate its forms, and also evidence of more critical distance.
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This work analyses the reception of the troubadours in contemporary Occitan literature. It notes a fascination for a golden age in which this literature - as well as the language which constituted it - was a model for Europe, a desire to imitate its forms, and also evidence of more critical distance.