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At the start of the ‘60s, Gaetan Picon distances himself from Andre Malraux in order to assert his own values. Leaving literary criticism for art criticism, he effects a conversion which, in the context of formalist dominance, is a form of response to aesthetic questioning.
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At the start of the ‘60s, Gaetan Picon distances himself from Andre Malraux in order to assert his own values. Leaving literary criticism for art criticism, he effects a conversion which, in the context of formalist dominance, is a form of response to aesthetic questioning.