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This essay seeks to disrupt received ideas on our toungue. Can the heterolingual imaginary which is visible in the works and translations of Paul Celan, Juan Goytisolo, Gabriel Okara and Ken Saro-Wiwa enable us to rethink the contemporary world in a different way?
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This essay seeks to disrupt received ideas on our toungue. Can the heterolingual imaginary which is visible in the works and translations of Paul Celan, Juan Goytisolo, Gabriel Okara and Ken Saro-Wiwa enable us to rethink the contemporary world in a different way?