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Post-Tridentine Christian theology put an end to Renaissance utopian conceptions and gave free rein to anti-utopias which, from Joseph Hall’s Mundus alter et idem (1605) and Artus Thomas’ L'Isle des Hermaphrodites (1605), represented nightmarish societies.
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Post-Tridentine Christian theology put an end to Renaissance utopian conceptions and gave free rein to anti-utopias which, from Joseph Hall’s Mundus alter et idem (1605) and Artus Thomas’ L'Isle des Hermaphrodites (1605), represented nightmarish societies.