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Christian Biet's work was driven by a taste for disorder, which was at the heart of his thinking. For him, its methodological use entailed new reflection on the theater and its effects. This volume examines his oeuvre and the perspectives it opens for theater studies.
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Christian Biet's work was driven by a taste for disorder, which was at the heart of his thinking. For him, its methodological use entailed new reflection on the theater and its effects. This volume examines his oeuvre and the perspectives it opens for theater studies.