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In the epistemic and generic reworking of the end of the 19th century, Walter Pater occupies the singular place of having poeticized the subject said by Sigmund Freud to be the subject of the unconscious. His literary and imaginary portraits allow him to probe the ways of the intimate otherness of the modern subject.
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In the epistemic and generic reworking of the end of the 19th century, Walter Pater occupies the singular place of having poeticized the subject said by Sigmund Freud to be the subject of the unconscious. His literary and imaginary portraits allow him to probe the ways of the intimate otherness of the modern subject.