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This study, centered on the Compagnie royale d'Afrique (1741-1793), aims to address the commercial practices of the second half of the eighteenth century as well as the relationship with Otherness by inviting a reading of the intercultural practices between the different actors from the two shores of the Mediterranean.
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This study, centered on the Compagnie royale d'Afrique (1741-1793), aims to address the commercial practices of the second half of the eighteenth century as well as the relationship with Otherness by inviting a reading of the intercultural practices between the different actors from the two shores of the Mediterranean.