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This study proposes a cartography of English dramaturgy, which has invented strange, even unnatural space-times since the 1950s. It engages in a reflection on the aesthetic and political issues related to the metamorphosis of time and space in contemporary drama.
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This study proposes a cartography of English dramaturgy, which has invented strange, even unnatural space-times since the 1950s. It engages in a reflection on the aesthetic and political issues related to the metamorphosis of time and space in contemporary drama.