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This book studies the notion of possibility in Victor Hugo’s novels and philosophical prose from his time in exile. An entire aesthetic-not only of dreaming and the image but also of fiction-finds extraordinary legitimacy in its proximity to the possible.
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This book studies the notion of possibility in Victor Hugo’s novels and philosophical prose from his time in exile. An entire aesthetic-not only of dreaming and the image but also of fiction-finds extraordinary legitimacy in its proximity to the possible.