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Examining forty-three studies on autoreflexive objects, this work shows that literary writing tends to represent itself through what seems furthest removed from it: material and functional things. In this way, literature takes on the challenge of defining its own nature by using alterity.
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Examining forty-three studies on autoreflexive objects, this work shows that literary writing tends to represent itself through what seems furthest removed from it: material and functional things. In this way, literature takes on the challenge of defining its own nature by using alterity.