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This study approaches the theater of Derek Walcott and Aime Cesaire through the prism of relation (Edouard Glissant’s theory)-while also drawing upon Hegelian dialectics and the dramatic theory of Bertolt Brecht in order to provide new perspectives on the aesthetics of these authors.
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This study approaches the theater of Derek Walcott and Aime Cesaire through the prism of relation (Edouard Glissant’s theory)-while also drawing upon Hegelian dialectics and the dramatic theory of Bertolt Brecht in order to provide new perspectives on the aesthetics of these authors.