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Chateaubriand’s work is a sort of kaleidoscope whose glass slivers endlessly reflect one another; a latent synchrony becomes apparent over the course of the decades and texts that lie underneath the obvious diachrony. This book considers different facets of the discourse that predominates in it, the discourse of the self.
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Chateaubriand’s work is a sort of kaleidoscope whose glass slivers endlessly reflect one another; a latent synchrony becomes apparent over the course of the decades and texts that lie underneath the obvious diachrony. This book considers different facets of the discourse that predominates in it, the discourse of the self.