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This work offers a nuanced analysis of the non-narrative poetics of three post-dramatic artists in 1980 and 1990. Drawing on twelve performances and how they were received, the author sets up a dialogue between contemporary narratology, dramatic writing and narrative intuitions.
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This work offers a nuanced analysis of the non-narrative poetics of three post-dramatic artists in 1980 and 1990. Drawing on twelve performances and how they were received, the author sets up a dialogue between contemporary narratology, dramatic writing and narrative intuitions.