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Tudor, Alex, and Edi are Romanian junior high school students in the 1990s when they discover extreme metal and begin to explore the destructive, Satanic ideology behind the music. This shared discovery cements their friendship by forming a unique bond as they delve into depravity. Occasionally aided by their psychopathic friend George, they urge each other to commit increasingly more vandalistic and blasphemous acts: animal cruelty, slashing of tires, smashing windows, and grave desecration. This pattern of anti-social behaviour climaxes when the three teens randomly kill an innocent elderly man during an afternoon of alcohol-soaked violence. The murder brings to light an ideological gap between Tudor and Alex. In Alex’s mind, Satanism means total war and the triumph of the Luciferian, Aryan race. Comparatively, Tudor sees Satanism as bleak nihilism and violent misanthropy. Because of the difference in ideals, Alex and Tudor face off in a final confrontation that transcends into a mythological dimension.
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Tudor, Alex, and Edi are Romanian junior high school students in the 1990s when they discover extreme metal and begin to explore the destructive, Satanic ideology behind the music. This shared discovery cements their friendship by forming a unique bond as they delve into depravity. Occasionally aided by their psychopathic friend George, they urge each other to commit increasingly more vandalistic and blasphemous acts: animal cruelty, slashing of tires, smashing windows, and grave desecration. This pattern of anti-social behaviour climaxes when the three teens randomly kill an innocent elderly man during an afternoon of alcohol-soaked violence. The murder brings to light an ideological gap between Tudor and Alex. In Alex’s mind, Satanism means total war and the triumph of the Luciferian, Aryan race. Comparatively, Tudor sees Satanism as bleak nihilism and violent misanthropy. Because of the difference in ideals, Alex and Tudor face off in a final confrontation that transcends into a mythological dimension.