Our parents believed that if the children were told stories of monsters, the children could be controlled through fear. I can remember all the stories told to me as a child growing up in the Southwestern desert of Arizona. We feared witches and monsters and the darkness of the night, in which they thrive. Our inner searches lead us to three living witches who reside in the lonely and quiet desert of Central Arizona, cascaded in the beauty of the mountains and all the life that lives within. The three witches are intent on being left alone to survive in a world ignorant in the ways of freedom and choice and who fall victim to persecution and prejudice. As the three witches, May, Ursula, and Dru, attempt to protect their property and life from the greedy leaders of Plata Chiflon, we come to realize that our innermost identities reach into places that are profoundly more real than superstitions or religion. It is then that the real monsters come out to play. Witches of Canon Charro is about small-town politics and the people who help to fight bias, prejudice, and social injustice. It is about keeping the balance of social interaction within the community.