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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Books are read in an instant and by a single eye. Libraries can no longer burn, they are already in the air. There is nothing left for admirers of truth or accuracy but submission to the absolute, unalterable veracity of the word.The Faces of Pluto remembers an earlier time when truth was a casualty of transcription and errors were commonplace if not an art in themselves. It returns something to reading and to writing of the mechanics of picking up, turning over, and distorting, if not catastrophically over-looking books which were left to rot or would be remembered only in fragments. From Empedocles to Borges, from Thomas Browne to Herodotus and back again, it resurrects the fecundity of error and the compiler's fancy.Roving freely between the works of a diverse range of dead assemblers-compilers of words, of wisdoms, and of bones-this book gathers and reinscribes their leftovers in an extended meditation on death, (re)burial, and remembrance.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Books are read in an instant and by a single eye. Libraries can no longer burn, they are already in the air. There is nothing left for admirers of truth or accuracy but submission to the absolute, unalterable veracity of the word.The Faces of Pluto remembers an earlier time when truth was a casualty of transcription and errors were commonplace if not an art in themselves. It returns something to reading and to writing of the mechanics of picking up, turning over, and distorting, if not catastrophically over-looking books which were left to rot or would be remembered only in fragments. From Empedocles to Borges, from Thomas Browne to Herodotus and back again, it resurrects the fecundity of error and the compiler's fancy.Roving freely between the works of a diverse range of dead assemblers-compilers of words, of wisdoms, and of bones-this book gathers and reinscribes their leftovers in an extended meditation on death, (re)burial, and remembrance.