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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Chuck O'Neil's fresh new collection, so many of the poems illustrate and illuminate his volume's title, for holding things together ...is precisely (in the many meanings of the phrase) what these keenly reflective homages to locality, to family, to continuity, to place and to history do. Clarity of language, generosity of feeling, rhythmic delicacy: in their fluidly unpunctuated stanzas the poems are as well-hewn, shaped, and planed as a piece of precious wood ('scaling lengths minding alignments'). The local is O'Neil's landscape, whether in lovingly unsentimental poems for his wife and family, for his town past and present, or for his natural surroundings. It is a celebration, too, of work-manual, thoughtful, emotionally-aware work-including the work of poem-making itself, out of which he has composed this garland of gifts for the rest of us, holding all together.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In Chuck O'Neil's fresh new collection, so many of the poems illustrate and illuminate his volume's title, for holding things together ...is precisely (in the many meanings of the phrase) what these keenly reflective homages to locality, to family, to continuity, to place and to history do. Clarity of language, generosity of feeling, rhythmic delicacy: in their fluidly unpunctuated stanzas the poems are as well-hewn, shaped, and planed as a piece of precious wood ('scaling lengths minding alignments'). The local is O'Neil's landscape, whether in lovingly unsentimental poems for his wife and family, for his town past and present, or for his natural surroundings. It is a celebration, too, of work-manual, thoughtful, emotionally-aware work-including the work of poem-making itself, out of which he has composed this garland of gifts for the rest of us, holding all together.