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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Em J Parsley's the anonym gospels explores faith-and the longing for faith after the loss of it-through the lens of a queer Appalachian "gospel" in the Greek sense of the word: "good news." Told in four parts, each gospel takes us through a transition point that we as readers bear witness to: from dogma to questioning, from questioning to fear, from fear to resolution, and what comes after this reckoning: the apocryphal gospel. The good news that these poems have to offer is bittersweet: we must confront the painfully stark realities of loving a place and people that often try to deny our existence, but there is tenderness and care to be found (and created) in that landscape. Parsley interrogates constructed binaries of legitimacy-hetero vs. queer, canonical vs. apocryphal-and ultimately asks us to join them on the "illegitimate" side of that binary.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Em J Parsley's the anonym gospels explores faith-and the longing for faith after the loss of it-through the lens of a queer Appalachian "gospel" in the Greek sense of the word: "good news." Told in four parts, each gospel takes us through a transition point that we as readers bear witness to: from dogma to questioning, from questioning to fear, from fear to resolution, and what comes after this reckoning: the apocryphal gospel. The good news that these poems have to offer is bittersweet: we must confront the painfully stark realities of loving a place and people that often try to deny our existence, but there is tenderness and care to be found (and created) in that landscape. Parsley interrogates constructed binaries of legitimacy-hetero vs. queer, canonical vs. apocryphal-and ultimately asks us to join them on the "illegitimate" side of that binary.