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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks – whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann O'Brien, Guinness, Hattie Jacques, John Cage, Kim Kardashian, Lego, Moby-Dick, numismatics, perfume, pianos, Princess Grace, puns, The Ramones, Sally Rooney, Stanley Unwin, Star Wars, waxworks or Zylo spectacles. Endlessly reinvented and exploited, Joyce emerges as a ubiquitous, indispensable, and ruthlessly commodified Everyman. As Ronan Hession puts it in his introduction, Collard is above all good company. Whether youre a devout admirer or wary newcomer, this surprising, unconventional handbook offers an entertaining prompt to dive into the depths of Joyce’s ever-expanding universe with a new awareness that it is very much our own.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In one hundred short essays David Collard navigates James Joyces astonishing cultural legacy in the century since the publication of Ulysses in 1922. Holding up a funhouse mirror to our times, Collard finds a multitude of Joyces, in often ludicrous disguises, wherever he looks – whether at Ally Sloper, Borsalino hats, Anthony Burgess, Cher, first editions, Flann O'Brien, Guinness, Hattie Jacques, John Cage, Kim Kardashian, Lego, Moby-Dick, numismatics, perfume, pianos, Princess Grace, puns, The Ramones, Sally Rooney, Stanley Unwin, Star Wars, waxworks or Zylo spectacles. Endlessly reinvented and exploited, Joyce emerges as a ubiquitous, indispensable, and ruthlessly commodified Everyman. As Ronan Hession puts it in his introduction, Collard is above all good company. Whether youre a devout admirer or wary newcomer, this surprising, unconventional handbook offers an entertaining prompt to dive into the depths of Joyce’s ever-expanding universe with a new awareness that it is very much our own.