Preface: After a lyrical diptych about war-related issues ( Magnetic People and Unpaired ), Eliza Segiet returns with To Be More - another volume of poetry creating a coherent story. This time, next to the subject-guide (philosopher, thinker; art, nature and human lover), who guides us through the poetic world of Segiet, we also have a female subject. Before our very eyes, a woman will be transformed from an enslaved being, seeking confirmation of her own worth in someone’s acceptance, into a self-confident traveler (around the world, but also into her own self), aware of her inner strength. To Be More can be read as a biography of a woman put through fate. Liberated from a toxic relationship, she slowly stands on her own two feet. She gains awareness of her body, her value and her own abilities. Loneliness disturbs her, because she had surrounded herself with her loved ones before; she gave her whole self to her partner, children, friends. And now the time has come when she was alone. Love turned out to be a lie, many friendships - an illusion. Paradoxically, this overwhelming loneliness allows the subject to take a fresh look, to assess her own life from a distance. The woman knows that time does not work in anyone’s favor, that with age, more and more things limit us, therefore she does not delay and takes matters into her own hands: she wants… to be more.Although there is no clear (even graphic) division, we can distinguish two parts of this lyrical story. In my view, the latter begins with the poem New Opening , where the woman (subject-heroine) sets out on a journey of the lifetime. From that moment, Segiet shows us a number of lyrical postcards. However, in addition to attractive places and hypnotic landscapes, the poetess also indicates what is happening in the background of these landscapes. In addition to natural exhibits, historical trails or artifacts, tourists can also see these contemporary, shameful monuments of their own stupidity. An important topic in To Be More is the opposition of truth - deceit. The poetess condemns all manifestations of lies - including all pseudo-creators who rely on someone else’s achievements (no shadows have monuments erected) or cheaters using others to gain some benefits (false friendships). She also notes that hiding the truth can be a very complicated phenomenon (e.g. dictated by shame or fear). Segiet is also aware that the modern world, more and more virtual, is conducive to such a model of life (including assuming an identity depending on the circumstances). The author is troubled by the loss of all values that have their source in the Greek moral canon (good, beauty, truth).The author of Voiceless raises a lot of important issues in this volume. She speaks about equality (not only in feminist terms) and omnipresent ignorance, e.g. in matters of ecology that leads us to self-destruction, and draws attention to, for example, our passions for which life is risked, and to creative activities, but also copying (to be the brightness or the reflection?), interpersonal relations (e.g. lack of interest in the elderly), to the attitude of people towards animals and nature in general (for animals, the human is death / for the human / - the animal is life). The poetess also notes the disappearance of ambition and values in contemporary people, indifference to the problems of others (e.g. in Third World countries).There are also typical themes of Segiet’s lyric poetry, such as love (from different angles), the passage of time, philosophy and the Human with all their imperfections, ills, fears, but also desires, successes. Human who learns forever, tests their own abilities, crosses borders and is constantly on their way to (self)knowledge. […]Kinga Mlynarska
