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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The "One Hundred Visions of War" of Julien Vocance (1878-1954) comprise some of the first haiku written in the West. Where classical Japanese haiku traditionally speaks of the beauty of Nature, Vocance uses the form to a very different purpose, depicting the horror and brutality of armed conflict, as seen from the trenches during the First World War. Readers get a ground-level view of unimaginable slaughter. The value of Vocance's poetry lies in its witness to the experience of the human being caught up in a battle which, as Wendell Berry put it, "the machines won." Only imagine: an obscure soldier-poet pits his human art against overwhelming military technology, and his art survives.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The "One Hundred Visions of War" of Julien Vocance (1878-1954) comprise some of the first haiku written in the West. Where classical Japanese haiku traditionally speaks of the beauty of Nature, Vocance uses the form to a very different purpose, depicting the horror and brutality of armed conflict, as seen from the trenches during the First World War. Readers get a ground-level view of unimaginable slaughter. The value of Vocance's poetry lies in its witness to the experience of the human being caught up in a battle which, as Wendell Berry put it, "the machines won." Only imagine: an obscure soldier-poet pits his human art against overwhelming military technology, and his art survives.