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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Donald Tarantino (b.1962) was a queer artist who studied at Philadelphia College of Art and later settled in New York City, where he became part of the East Village scene of the 1980s. Working mostly as a printmaker, his art explores the intersection between cities and suburbia, shifting between office buildings and domestic spaces. His images examine the structures we inhabit, interweaving the anxieties they cause, and the joys they elicit. His late prints were inspired by the isolated rooms and hallways of the St. Vincent’s AIDS ward, driving home a sense of mortality that loomed all too close. He died of AIDS-related illness in 1988. Architecture and Mortality collects his surviving prints, drawings, and other work and is the only published overview of the artist.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Donald Tarantino (b.1962) was a queer artist who studied at Philadelphia College of Art and later settled in New York City, where he became part of the East Village scene of the 1980s. Working mostly as a printmaker, his art explores the intersection between cities and suburbia, shifting between office buildings and domestic spaces. His images examine the structures we inhabit, interweaving the anxieties they cause, and the joys they elicit. His late prints were inspired by the isolated rooms and hallways of the St. Vincent’s AIDS ward, driving home a sense of mortality that loomed all too close. He died of AIDS-related illness in 1988. Architecture and Mortality collects his surviving prints, drawings, and other work and is the only published overview of the artist.