The Imagery of Interior Spaces

On the unstable boundaries between interior and exterior,
private and public, and always in some way relating to a beyond, the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature – from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth – reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels.This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel Garcia Marquez, Benito Perez Galdos, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Emile Zola.