Carolyn Guinzio’s How Much of What Falls Will Be Left When It Gets To The Ground? interlaces a series of questions, possibilities, and scenarios that address the various times and places of memory–how it is stored, lost, reinvented, mythicized, and how a person is shaped and reshaped by this process, like a piece of clay forever spinning under the shaking potter’s hands. But through the play she makes of words, images, and places, Guinzio reminds us that despite what turns out by the end, there is beauty in both the process and the result.