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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
It’s difficult to accept that shadows, too, are products of the natural world. Often we hold what’s beautiful next to what we fear. As much as we want to appeal to our better angels, cruelty hovers and haunts our hearts. In Heather Swan’s A Kinship with Ash, wisdom is hard won. Elegant, image rich, and full of birdsong, these poems question and delight. But what is poetry if not the mind’s silhouette? In the pastoral tradition we confront our reflection, and here, Swan uses nature to look inward. As if negotiating the cliff’s edge, or wading into open water, her speakers are at the mercy of currents. We are left with faith. Reading these poems is an act of surveying light. -Amaud Jamaul Johnson
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
It’s difficult to accept that shadows, too, are products of the natural world. Often we hold what’s beautiful next to what we fear. As much as we want to appeal to our better angels, cruelty hovers and haunts our hearts. In Heather Swan’s A Kinship with Ash, wisdom is hard won. Elegant, image rich, and full of birdsong, these poems question and delight. But what is poetry if not the mind’s silhouette? In the pastoral tradition we confront our reflection, and here, Swan uses nature to look inward. As if negotiating the cliff’s edge, or wading into open water, her speakers are at the mercy of currents. We are left with faith. Reading these poems is an act of surveying light. -Amaud Jamaul Johnson