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Stella Wong’s debut book of poems playfully subverts and willfully challenges any notions we might have about Asian Americanness and its niceties. While her previous chapbook stunned her admirers and adherents into an almost fawning incredulity, this outing eviscerates. More like getting struck with Chinese stars right between the eyes. TKO with a mean left hook to boot. And if you manage to get back up on your feet again, if your dare dance around in the haunted ring that American poetry is, be certain that this most un-model minority bard will teach you not to ever read the same way again. Or as Danez Smith has extolled: Stella Wong wields the kind of weaponry I live to be slayed by. Funny as hell, delightfully strange and full of a sneaky and giant heart, this book will knock the windows of your heart not just open, but out the frame once you see how far Wong can dive into fear and the terrible possibles of humanness can still carry back something like hope, gooder than joy.
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Stella Wong’s debut book of poems playfully subverts and willfully challenges any notions we might have about Asian Americanness and its niceties. While her previous chapbook stunned her admirers and adherents into an almost fawning incredulity, this outing eviscerates. More like getting struck with Chinese stars right between the eyes. TKO with a mean left hook to boot. And if you manage to get back up on your feet again, if your dare dance around in the haunted ring that American poetry is, be certain that this most un-model minority bard will teach you not to ever read the same way again. Or as Danez Smith has extolled: Stella Wong wields the kind of weaponry I live to be slayed by. Funny as hell, delightfully strange and full of a sneaky and giant heart, this book will knock the windows of your heart not just open, but out the frame once you see how far Wong can dive into fear and the terrible possibles of humanness can still carry back something like hope, gooder than joy.