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Furniture generated by smart algorithms, the first fully functional 3-D printed steel bridge, and a 3-D printable chair that can be downloaded from the Internet-these are but a few examples of the ingenious oeuvre of Dutch designer and inventor Joris Laarman (born 1979), who works at the intersection of design, art and engineering. Part of the recent high-profile Dutch design movement, Laarman quickly set himself apart from his peers with the Heat Wave Radiator, which erases the lines between the functional and the decorative. Quickly embracing digital technologies and applying them to the traditional field of design, Laarman has produced instant icons such as the Bone Chair designs, which harnesses a computer algorithm to mimic bone growth for the form of the designs. He has also bridged the distance between digital technology and craftsmanship with his Makerchair, downloadable as an open-source design. Abolishing the distinctions between natural and manmade, Laarman's work opens a new avenue for the future of design. In parallel with the touring exhibition, this handsome hardcover catalog with over 300 color illustrations goes far beyond the exhibition, revealing Laarman's process, his studio and numerous designs in office, home and workshop settings. Flowing throughout the book are informative project descriptions, a statement from the LAB and assorted essays. The American museum tour includes the Cooper Hewitt, NY (2017), the High Museum, Atlanta, and MFA Houston (2017-18).
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Furniture generated by smart algorithms, the first fully functional 3-D printed steel bridge, and a 3-D printable chair that can be downloaded from the Internet-these are but a few examples of the ingenious oeuvre of Dutch designer and inventor Joris Laarman (born 1979), who works at the intersection of design, art and engineering. Part of the recent high-profile Dutch design movement, Laarman quickly set himself apart from his peers with the Heat Wave Radiator, which erases the lines between the functional and the decorative. Quickly embracing digital technologies and applying them to the traditional field of design, Laarman has produced instant icons such as the Bone Chair designs, which harnesses a computer algorithm to mimic bone growth for the form of the designs. He has also bridged the distance between digital technology and craftsmanship with his Makerchair, downloadable as an open-source design. Abolishing the distinctions between natural and manmade, Laarman's work opens a new avenue for the future of design. In parallel with the touring exhibition, this handsome hardcover catalog with over 300 color illustrations goes far beyond the exhibition, revealing Laarman's process, his studio and numerous designs in office, home and workshop settings. Flowing throughout the book are informative project descriptions, a statement from the LAB and assorted essays. The American museum tour includes the Cooper Hewitt, NY (2017), the High Museum, Atlanta, and MFA Houston (2017-18).