Meet the Magicorum: modern folks who are supernaturally locked into fairy tale life templates. For eighteen-year-old Elle, that role is Cinderella. Meanwhile, Agatha is her evil stepsister. Things go downhill from there… Cinderella On The Run Elle-never call her Cinderella-has found the love of her life in Alec Le Charme, the prince of a jewelry dynasty. But when Alec gets spirited away, Elle must ditch her Manhattan home for the perilous Faerie Lands. To save Alec, Elle must also swap her glass slippers for a flying carpet. But will switching templates from Cinderella to Aladdin snap Elle’s sanity?

Whatever. Bring on the straight jacket. Elle is one Cinderella who’s determined to save her prince, no matter what.

Evil Stepsister or Elf Queen? Agatha always accepted her role as Elle’s evil stepsister. Then her life template changes from nasty sibling to evil elf queen. Agatha has one thought on that score. Thanks but no thanks. Agatha refuses the regal life, even though stepping away from her crown means ignoring her lifelong attraction to the elf prince, Jacoby.

Then everything changes. Agatha discovers that Elle’s life is at risk… and the only way to save her Cinderella is by teaming up with Jacoby. Trouble is, that’s a lot of togetherness. Working with Jacoby could easily end in disaster, not only for Agatha’s heart, but also for Elle and Alec’s lives.

Fairy Tales of the Magicorum Modern fairy tales with sass, action, and romance 1. Wolves and Roses 2. Moonlight and Midtown
3. Shifters and Glyphs
4. Slippers and Thieves
5. Bandits and Ball Gowns 6. Fire and Cinder 7. Fairies and Frosting 8. Towers and Tithes

Perfect for teen and young adult readers who want their book series to deliver: kick-aass adaptations of fairy tales & folklore; swoon-worthy elves & fae; snarky paranormal romance; fresh themes from contemporary fiction; LOL romantic comedy; new takes on old myths & legends; edgy werewolves & shifters; strong girls and women as heroines; new worlds of urban fantasy; themes about loners and outcasts; the best laughs in humorous literature; general coming of age whackery; and (most importantly) truly unusual contemporary fantasy.